Showing posts with label tilt-shift. Show all posts
Showing posts with label tilt-shift. Show all posts
Monday, January 9, 2012
Watch photography
Labels:
techniques,
tilt-shift,
tips
0
comments
What do you need to capture great watch photographs? Surprisingly little in terms of equipment! I used a DSLR with a macro lens (you can use a tilt-shift lens if you have one), and only two lights for this photograph. In fact, the watch was mostly lit with only one light for most of the time, and I only had to add in one more additional light for the movement (the mechanical bits of gears and levers in the watch) to make it pop.
A great watch photo should show the surfaces for what they are... chrome should be matt or glossy wet, leather should look deep and glossy, brushed surface should look crisp and sharp. Surfaces should have gradient lighting instead of looking flat, and overall the image must have dimensionality and depth to the watch. I spent more than a day lighting and shooting the watch, making more than two hundred exposures before spending many more hours in front of my computer to make everything come together and work as a final image. As Steve Jobs would say, if you have to do it, make sure it's insanely good!
Monday, April 19, 2010
A day in the life of New York City
Labels:
DSLR,
tilt-shift,
video,
Vimeo
0
comments
Check out this amazing video of New York City by Sam O'Hare. Sam did the entire project shooting on a Nikon D3, and that's all you need to know for now. So please watch the video before you continue reading!
Done viewing the video?
How did you think Sam shot the sequence? Most people would imagine that Sam fitted tilt-shift lens to the Nikon D3 and set it to record video, and then speeding up the video clips in post-production to achieve the effect in the video. But that would not be special, would it?
Sam O'Hare actually used a Nikon D3 for this project, shooting 35,000 NEFs at 4 frames per second! He then painstakingly combined them in post production and output the files as 1080p video set to music. If that wasn't crazy enough, he wasn't shooting with a tilt-shift lens. Sam actually shot with a Tamron 17-50mm f/2.8 and Sigma 50-150mm f/2.8 lenses for all of the shots. The tilt-shift effect was all done in post frame by frame!
This is madness!
Madness? This is NEW YORK!
Done viewing the video?
How did you think Sam shot the sequence? Most people would imagine that Sam fitted tilt-shift lens to the Nikon D3 and set it to record video, and then speeding up the video clips in post-production to achieve the effect in the video. But that would not be special, would it?
Sam O'Hare actually used a Nikon D3 for this project, shooting 35,000 NEFs at 4 frames per second! He then painstakingly combined them in post production and output the files as 1080p video set to music. If that wasn't crazy enough, he wasn't shooting with a tilt-shift lens. Sam actually shot with a Tamron 17-50mm f/2.8 and Sigma 50-150mm f/2.8 lenses for all of the shots. The tilt-shift effect was all done in post frame by frame!
This is madness!
Madness? This is NEW YORK!
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